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5 Letter Words Starting With Brai
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Rodica Mariana Ian,,,,*, Bulat A. Dulama 6, Ioan Aline Buchurica 6, Anka Irina Geboyanu 6, Raluca Maria Stirescu 6, Sofia Tidorescu 6, Lorena Jancu 1, 2, Madalina Elena David 1, 2 and Ramona Marina Grigorescu 2
National Research and Development in Chemistry and Petrochemistry – ICECHIM, Cultural Heritage Evaluation and Conservation Research Group, 060021 Bucharest, Romania
Received: 4 May 2020 / Revised: 25 May 2020 / Accepted: 27 May 2020 / Published: 29 May 2020.
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This article can serve as a database for other mosaic studies and as a guide to what methods can be applied.
Color characteristics, vibrational spectra, phase and mineral composition, internal structural organization of several fragments of ancient Roman mosaics from the Museum of Roman Mosaics, Constanta, Romania were investigated by destructive (chromatic analysis, neutron diffraction, neutron tomography) and micro. -Invasive techniques (optical microscopy, X-ray diffraction, field-emission scanning electron microscopy – energy-dispersive X-ray spectroscopy, Raman spectroscopy, wavelength-dispersive X-ray fluorescence). These studies were carried out to characterize the original Roman mosaic pieces The main and secondary phase components of the investigated mosaic pieces were determined, the crystal structures of the main phases were analyzed and their three-dimensional spatial arrangement was reconstructed. The similar composition of the main phase of all mosaic pieces may indicate a common recipe for making the mosaic elements, but the secondary phase was probably added to color the mosaic pieces. Quantification of mosaic fragments using neutron diffraction and neutron tomography methods identified some degradation zones. These depositional zones are probably associated with the formation of iron hydroxides during the chemical interaction of the mosaic pieces with oceanic and urban polluted atmospheres.
An important task of archeology and other sciences related to history is the detailed study of cultural heritage sites. Mosaic, part of the universal cultural heritage, is an ancient art where small pieces of different materials such as glass and stone are used to create patterns and images. The first mosaic tiles were found in Mesopotamia during the Ancient Dynasty of Ancient Egypt [1, 2, 3, 4]. Mosaics decorated temples dedicated to Greek gods; Furthermore, the origin of the word “mosaic” comes from “mauson” or the more popular transcription “muse”. In the 4th century BCE, Greek mosaics were artistic assemblages of marble, ceramic, glass, enamel, or other materials of various colors, held together with mortar or mastic to create images with geometric figures, flowers, zoomorphic, or anthropomorphic forms. Presentation [6, 7].
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Ancient Roman mosaics were made of river stone, marble or rare semi-precious stones jasmine and onyx, and were used to decorate Roman baths, columns and ceilings of villas with a predominance of black and white combinations [4, 7, 8]. It should be noted that the evolution of Roman mosaic technology is still unclear and further research is needed to fully understand the technological practices and determine the best recovery and conservation techniques to apply. A preserved fragment of a mosaic in the historical center of Constanta, Romania can be considered a brilliant representative of the cultural heritage of the Roman and Byzantine eras. Discovered in 1959, these large field fragments are believed to be from the time of Emperor Constantine the Great (306-337 AD), when Tomis Castle was built. The Roman Mosaics Museum of Constanta covers an area of about 2000 square meters
And was destroyed at the end of the 6th century after an earthquake [9, 10, 11]. Nowadays, more and more scientific research methods [12, 13, 14, 15] are used to study the physical and chemical properties of mosaic elements, to expand knowledge about mosaic production technology, origin and degree of elements. To store decorative elements
The building was affected not only by the ravages of time and the underground period, but also by the work done in the modern era for the arrangement of the port by the Romanian architect Angel Salini. Campaigns dedicated to the Roman-era complex continued for five years, until 1965
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The impressive construction took place in three terraces cut into the rock in ancient times and leveled to ensure the stability of the structure. It was right on the wharf of the old Tomitan port, from where he opened his first room It consisted of eleven vaulted rooms used as warehouses for goods brought in by merchant ships docked in the harbor. The next two terraces are accessed via large limestone steps
The second level was similar to the first There were also eleven vaulted rooms used for the same purpose as the first However, the structure of the third layer is fundamentally different from the other two Here we are dealing with a huge, roomy and beautiful room Its decoration is lavish, and the improvised tribune on its north-east side shows that it had a distinct and unique destination.
Inside the hall, there is a thematic sequence of pillars on the northeast wall There appear to be fifteen such columns bounding the fourteen fields The walls were covered in marble and the columns were topped with marble slabs that imitated the shape and decoration of some of the capitals. Their decorative motifs were mainly vegetal The northeast wall is pierced by another entrance to the present Piazza Ovid, later closed and used as a niche, in which a bust of an emperor was probably displayed.
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Another feature of the hall consists of several steps that form a small platform attached to the same wall and also covered in marble. It was probably used as a rostrum for the speakers who gave speeches here
The moza carpet spread over the entire surface of the room The part placed on the terrace cut into the sea was the best preserved, and the part above the eleven rooms of the lower level collapsed together with their vaults, throwing away the material placed below. Some of the collapsed pieces can be recovered
The materials used are marble and natural stone in various colors: white, red, green-blue, black and cream. They are arranged in straight lines, especially in the border and serpentine lines in more complex motifs They are laid on a bed of lime mortar mixed with broken bricks
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A mosaic is a work of art composed of a set of tesserae made with lime [13] or other binder to form a geometric or symbolic decorative composition. A tesserae is an individual cube-shaped piece made of calcareous stone, glass, or ceramic material. In ancient Rome, the tesserae used were made from calcareous stone obtained from local sources of natural stone, with crushed bricks, tiles and ceramics added to create certain shades of color: black, red, white, blue and yellow [16].
In recent years, archaeologists and cultural scientists have paid more attention to physical methods based on neutron diffraction and neutron tomography methods, which provide a destructive study of the structural organization of objects with high sensitivity to light elements, differentiating between differences; components and high penetration capacity
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